Episode 922
We open on Zoro and Yasui in the downpour on their way for a touch of betting. Zoro is coming out on top consistently and takes care of a portion of his obligation to Yasui for food and entry, in addition to extra. At that point we remove to Nami and Kinemon talking about how Zoro got lost. Kinemon takes note of how he has been gathering weapons and we get a short recess of Carrot and Wanda taking yet more supplies.
Next is Franky spouting over Oiran to the incredible craftsman Minamoto who helped manufacture the chateau? Franky timidly requests the outlines, yet it turns out he pawned them ten years back. This sets Franky on a pursuit around town attempting to chase down the outlines counting thinking a camel had them for a concise second. Franky, plainly depleted, goes through the market to see Kanjuro selling doodle fish. After a short discussion he reports in to Kinemon and Dogstorm the troubles of finding the outlines.
Back at the betting scene that began the episode, Zoro runs into inconvenience when the hoodlum running the betting house begins cheating. They are rolling the dice in a cup at that point hammering it down on the straw, while somebody underneath the straw jabs upwards with a pin to tilt the dice somehow. Zoro chooses to bet everything and stirs something up, destroying the whole structure and bringing down various goons utilizing the Dragon Quake. Zoro and Yasui take what they were owed and leave to meander the no man’s land.
Yasui calls attention to the capital and we change there for a scene with Orochi. The Shogun is taking care of an arms bargain, sure that he has the force on account of his present coalition with Kaido. As the Oiran shows up simply outside the doors, we have a concise scene with Momonosuke preparing. The youthful master reveals to Tama that he has a younger sibling who because of his going in time while she stayed behind would be around 26 at this point.
This was an extremely incredible arrangement episode undoubtedly. The betting scene with Zoro and Yasui felt reached out from the manga, as though memory serves it was a short memory through word bubble and very little else. That was an extremely extraordinary decision to grow that scene and truly dive into the chanbara vibes of the Wano arc. There’s additionally some fantastic symbolism with the twin feline sculptures approaching inauspiciously out of sight, and the low point shot of gazing upward past Zoro through the gap in the rooftop not long before the downpour descends. Also Kazuya Nakai’s superior voice work, he truly is The Coolest Dude voicing The Coolest Dude.
The succession with Shogun Orochi was likewise profoundly terrifying. His deranged chuckling, changes, the ghostly dull palette with the purple shine on his eyes – he’s really a threatening character such that feels totally different from other One Piece reprobates. Also his tremendous head gives the liveliness group a lot of land to simply make the most stunning articulations.
Episode 923
Yasui and Zoro finally arrive in Ebisu. Its run down, disheveled, and the people are clearly in dire straits. However they simply laugh away any concern or hardship, to the point of rolling on the ground in tears. They even laugh at the possibility of starvation. Meanwhile, at the capital the Shogun is putting on a lavish display and a royal feast. Plate after plate is brought out, and he not only refuses to eat much of the prepared food but has it thrown out for good measure. Entertainers come out in gorgeous clothing, and the Shogun encourages endless debauchery.
We slice back to Ebisu where townspeople’s teeth are dropping out because of malnourishment. They get a kick out of Zoro’s three blades, and afterward let him know of the ninja who goes around evening time looting from the rich and providing for poor people. They at that point offer him clean water and serenade while he drinks. Back at the stronghold, Robin has grabbed the Shogun’s attention, however when Oiran shows up he is gaga for her.
We get a procession of littler side stories here. Luffy and Caribou at the recreation center talking about a break that closes in a glaring match with Kid. We end up in the lanes of Wano by and by with Law notice Sanji of Page One’s methodology. Things being what they are, he and X Drake are after the Straw Hat’s cook, and have been destroying shops to discover him. Nami and Shinobu proceed with their steal thing with a help from Brook’s apparition powers and Robin evades the gathering. Stream finds Poneglyphs covered up on the grounds, not long before removing again to Kaido.
It turns out the Big Mom privateers have started their ambush on Wano. A lot to the shame of Kaido’s escort, Big Mom’s boat is being pulled via carp that can manage her vessel through the turbulent waters. The Big Mom privateers likewise make short work of the protective turrets at the edge, and we get a foreboding close up all over to finish off the episode. A huge amount of stuff is going on in Wano however this is an incredible case of how it doesn’t feel like excessively. I attempted to recollect all the moving parts back in Dressrosa, however here it feels entirely clear where everybody is and what they are doing.
A ton of that is helped by the striking visuals in every region of the arc. Emotional dinosaur men threatening city avenues, candy-secured warships battling through beating oceans, showy pastel architecture in superb clothing every one of the areas feels unmistakable enough that it’s not hard to recall where we are at and who is included.
Ebisu is actually the bit of the blade in Wano. From the literary battles the individuals are having with food and sanctuary, to the incredible bearing and voice work, you truly get a brief look at how bent this is. I think my preferred shot was at an early stage when the locals were snickering and the camera inclines up, the mists blur in as a change, at that point we are in the capital seeing the Shogun’s celebrating. Moreover, the voice work of the townspeople is done, as it feels reasonably frequenting without being senseless especially when everybody is assembled around Zoro reciting heavenly water! Chilling.
Episode 924
Everything is going full speed ahead from the ambush of the Big Mom privateers to the Shogun’s gathering. Back at the work camp things are somewhat quieter for Luffy who is resting in his cell, not long before Raizo shows up. Raizo reports that Tama is alright and that makes Luffy pillar.
Sovereign thinks about how to stop the Big Mom privateers while King chooses to anamorph into an underground rock pterodactyl and handle it himself. The red hot birdosaurus makes a beeline for Big Mom’s boat, and in the wake of trading a couple of words and passes choose to simply kick them over the cascade with Big Mom herself falling into a whirlpool.
Back around we have broadened successions of Page One assaulting different soba shops waiting to pounce for Sanji. Law and Sanji are escaping and run into Usopp and Franky. Law is unyielding this is the correct game-plan, yet in the long run the sights and hints of Page One’s frenzy are a lot for him to shoulder. He goes to go face Page One in single battle. Sanji and Page One trade a touch of talk, at that point Sanji lets free with one of his mark kicky kicks the Diable Jambe Concasser Crush! Page one is sure this is the popular Sangoro and reports back that he’s discovered him. As the episode attracts to a nearby Sanji makes harmony with himself and draws out a coal black canister with an enthusiastic smile.
I truly appreciated this episode. There’s a lot of genuineness in it from King’s kick of Big Mom’s vessel to the manner in which Big Mom staggers about on a carp for a couple of seconds attempting to consistent herself. Clearly however, the enormous draw here is the Concasser Crush. Sanji consistently gets ravishing assaults and this one doesn’t frustrate. The thundering screen, the feeling of heave and weight to the effect, it’s very dazzling. Hell I even enjoyed the little shimmer emoticon they tossed in for good measure.
As far as Easter eggs go, I’m a sucker for film references. Having Page One not only do the T-Rex stop shakes the glass of water bit but also the moment where the camera is zoomed in on his eye as he is peering in through the tear in the roof these were obvious homage’s to Jurassic Park, which are always welcome as far as I’m concerned. Also the hilarity of watching Page One dip noodles as a dinosaur was one of those weird, wonderful moments you only get in anime. Oh! Plus the To Be Continued card having the slight sparkle effect as a bit of foreshadowing for Sanji’s pending hen shin was appreciated as well.
